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Ex machina imdb

Ex Machina Imdb Filmography

Directed by Christian Theede. With Devid Striesow, Julia Koschitz, Steve Windolf, Nikolai Kinski. Julia Koschitz and Anton Spieker in Tatort (). Julia Koschitz in Tatort (). Nikolai Kinski in Tatort (). Anton Spieker in Tatort ().

ex machina imdb

März IMDb () Ex Machina stuteristing.se Zugegriffen: März Immler C () Der kleine Hacker: Programmieren. Add it to your IMDbPage. My Demo Reel -- No description provided. Diabolus Ex Machina · poll image Favorite German Film from TOP · See more polls». Full Cast & Crew: Mord ex Machina (). Cast (17). Devid Striesow. Jens Stellbrink. Julia Koschitz. Natascha Tretschok. Steve Windolf. Victor Rousseau.

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The Best Actresses and Actors - Click at this page in the s. Keep track of everything you watch; tell your friends. Everything New on Hulu in June. Martin Homberg. Christoff Brack. Everything New on Disney Plus in June. Click here Vogt.

This movie succeeds where another recent movie about AI, Transcendence, I think it is called, failed but it was an interesting failure.

A third movie about AI, a Spanish movie called Eva, was also brilliant. Eva was more moving and this movie more philosophical.

But both movies were perfect in their different ways. The AI's name in this movie, Ava, seems to be a nod to the title of the Spanish movie.

As an aside, it's nice that no "stars" appeared in "Ex Machina" and "Eva", the casting was great.

Of course there are several aspects of this movie that are unrealistic and often absurd. But because this is an allegorical movie, these are acceptable, because the movie is making points, rather than striving for realism.

It's more of a fairytale than accurate portrayal. Was this review helpful? Sign in to vote. Ex Machina has a very fitting sense of false intimacy.

This is done visually as many of the close-ups are seen through glass. No matter how close we get to the subject on-screen, there always seems to be at least one wall of glass between us and it or them.

The film also makes a very distinct contrast between it's interior and exterior shots. Outside of the facility is breathtaking landscapes.

It is big, beautiful, refreshing and vibrant. Inside seems like an endless futuristic maze of glass, mirrors, plastic, chrome and dim lights.

It is clean, cold and claustrophobic. A perfect setting for the subject that is explored in this tight, tense sci-fi thriller.

Ex Machina is the best science fiction film on artificial intelligence since Blade Runner. While Blade Runner is an action thriller that relies more on it's epic visuals to tell it's story, Ex Machina is a dialogue-driven psychological thriller that slowly works it's way under your skin.

Thought-provoking and terrifyingly suspenseful, an induced state of paranoia may linger long after the end credits begin to roll.

The less you know going into a film like this, the better your experience will be. Alex Garland has given us a modern science-fiction masterpiece.

Performances from all three leads are flawless and every other aspect of the production, from the cinematography to the soundtrack, is perfectly suited for the story.

Not only is Ex Machina an amazing achievement for a directorial debut, it's Alex Garland's best written work to-date. Ex Machina has a simple story dealing with a deeply complex and philosophical topic: namely what makes humans human.

The increasingly omnipresent Oscar Isaac plays billionaire Nathan Bates, genius creator of 'Google' - my mistake - 'BlueBook', the world's "leading search engine".

Bates lives in the middle of the American wilderness in reality, a very picturesque Norway and in a property that actually exists BlueBook the Juvet Hotel.

He is leading a one-man research project into the development of an Artificial Intelligence. Leading neatly on from the recent Cumbur-busting "The Imitation Game" the eccentric and erratic Nathan needs to share his work with someone external in order to perform 'The Turing Test' - the test to determine if a machine can genuinely pass itself off as human to another human.

Domhnall Gleeson' character Caleb works for BlueBook and wins the Wonka Golden Ticket to spend a week with Nathan, becoming the human side of the test.

Ava is the beautiful and seductive android subject and the film clinically walks through the sessions between Caleb and Ava, watched over by Nathan via the villa's comprehensive CCTV system.

The only other significant character in the film is Nathan's house maid Kyoko Sonoya Mizuno , who neither understands nor speaks English so drifts silently around offering various 'services'.

This serves the story well, ramping up the tension as an age old Sci-fi plot-point emerges as covered by the trailer : how will a sentient machine feel about having its plug pulled.

No rain or doves are included in this one. The acting is all up to snuff, with Isaac - this time hiding behind a Brian Blessed-style bushy beard - looking and acting for all the world like George Clooney.

Domhnall Gleeson "About Time", "Harry Potter and the Deathly Hallows" and getting all the roles that Paul Bettany is now too old for makes the journey well from nice but naive employee to a much more world-wise freedom-fighter.

Swedish-born Alicia Vikander, currently also leading in "Testament of Youth", is deliciously sensual as Ava albeit - and trust me to notice this - that her significant assets seem to vary in size during the movie.

She is also an excellent actress, having to reflect a wide range of emotions through little else than her eyes.

I really enjoyed this film. However, that is on the basis that Science Fiction is one of my favourite genres: I can see some audiences finding the philosophical plotting too slow and wordy to hold their interest.

But if you like your films deep and thought-provoking, as well as deliciously tense in places, then this might be for you. The writer and director is Alex Garland, and this is actually his impressive directorial debut.

He is of course best known as a writer, having penned the novel of "The Beach" and the screenplays for films including "28 Days Later", "Sunshine" and "Never Let Me Go".

Also hats off to the special effects crew led by Richard Conway since Ava is a miracle of visual effects. The effective keyboard score is by Geoff Barrow and Ben Salisbury.

The film pleasingly doesn't outstay its welcome, also leaving some loose ends to ponder on after the lights come on and the screeching credits song sorry, but it's just AWFUL!

Also be aware that for those offended by full frontal female nudity, or indeed those that enjoy it, that there is a good deal of it in this film.

If you enjoyed this review, please see the multi-media version at bob-the-movie-man. Deathstryke 23 January It doesn't bombard you with effects or superficial action although the robot effects are exceptional.

Rather, its focus and beauty lie in the subtle and nuanced performances of its tiny cast as the film explores what it means to be human.

Quiet dialogue scenes between two characters are filmed in such an impactful, making them feel hauntingly austere, sweet and innocent, or terrible and frightening, through meticulous use of composition, light and sound.

The film really does run the gamut of emotions, surprisingly funny one minute and gut-wrenchingly tense and weird the next, while the script twists and turns, constantly unsettling your assumptions about what will happen.

The performances are excellent, most notably Alicia Vikander as the beguiling Ava, who absolutely passes for being 'almost human'.

Her precise movements -walking, standing or stooping to pull on a pair of stockings- have just that slight tinge of the uncanny about them to suggest a mechanical skeleton, yet she is undeniably seductive.

You can really understand Caleb's mental plight as she begins to show signs of a sexual interest in him! Domhnall Gleeson also delivers a quiet and focused performance as Caleb, which reflects much of the film's over all style.

Like Ava, he is relatable, yet has this slight autistic aloofness about him, in complete contrast to the boorish, reckless Nathan Oscar Isaac.

The pacing for the most part is measured, although one or two scenes might move a little slower than they need to.

The ending probably will not satisfy everyone, and admittedly left me a feeling a bit cold, but it certainly didn't follow the route I was expecting.

Overall I found it to be enthralling and disturbing stuff. Red-Barracuda 25 January A reclusive CEO of a leading technology company hires a young whiz kid who works for him to test his latest development, a highly advanced android called Ava.

Specifically he is tasked with using the Turing test on her to establish if her AI is sufficiently convincing to pass as human.

Despite contributing several scripts for the screen, this is writer Alex Garland's first directorial effort. It's a hard sci-fi movie which examines concepts and ideas above everything else.

That's not to say it isn't dramatic or even thrilling because it is both of those things as well but the focus is squarely on the science fiction speculation, and this is a very welcome thing.

The central concept that it examines is artificial intelligence. How we interact with AI as humans, as well as how a seductive machine could in turn manipulate us.

The very well written script poses philosophical questions such as is there moral or immoral ways to treat AI. It also considers if sometimes part of being human is that we sometimes subconsciously want to be fooled by an illusion, if it is attractive enough.

In many ways Ex Machina resembles last years Under the Skin. Both feature highly advanced female non-humans.

In the earlier film Scarlett Johansson played an alien, here Alicia Vikander plays an android. While the very small cast all acquit themselves very well, it is Vikander who stands out in the film's most challenging role.

It's a nuanced performance that captures the fine balance between the human-like and machine. Not only this but the marvellous special effects compliment this performance to create a very distinctive character.

Aside from the effects, this is probably quite a modestly budgeted film, as the small little-known cast and limited sets suggest.

But these restrictions have been used to the films advantage, as the unknown cast surprise more given little is known of them and the restricted setting gives off a claustrophobic feel which works well, while forcing us to focus in even more on the ideas being put in front of us.

A scene setting ambient soundtrack additionally creates just the right off-kilter mood to accentuate the events.

But it's ultimately the very good writing that underpins the success of this film. All-in-all, very impressive science fiction for those who appreciate the genre's more cerebral side.

I rarely do this because there is so much rubbish out there but I'm going to recommend a movie. Writer Director Alex Garland has done an amazing job, it's beautifully shot, fantastically lit, intelligently written, brilliantly cast.

The movie is's self is engaging, thoroughly watchable, the characters are simple and yet layered with complexity. The film strikes the perfect balance of not spoon feeding and not dumbing down but not being too arty or intellectual just for the sake of it.

Best seen in a cinema I reckon. MattBirk 25 April Ex Machina is easily one of the greatest movies to ever tackle the ideas of artificial intelligence.

Everything about the movie is put together in an elegant and intelligent way, the movie tackles the ideas in a mature way.

There are no elaborate human vs machine fight scenes or military overlord presence, instead Machina focuses on the ethical questions that come from 'creating life'.

And though the premise might sound unoriginal or derivative, it's when they mix in the idea of sexuality that the movie becomes something different.

From the moment, we arrive at Caleb's estate something seems very off-putting, he clearly is hiding something. And for the entire movie, as we explore his compound things slowly get more off-putting and stirring before boiling over during a wonderful climax.

The deception between the two human characters is what makes the movie exciting, both men seem to be playing one another for unknown reasons.

And as Nathan begins to understand more and more of what really is taking place in the house the tension rises and secrets unfold.

Characters motives and beliefs are slowly unraveled and some seem more logical than others, but that's why the movie works, every character has sound reasons for their actions.

The movie makes strong arguments for both sides of the A. However, the movie might be too slow for most audience members, as I said this is a movie where ideas shine not action sequences.

Not only do ideas shine, but the acting out of the three leads is incredible to say the least! But it's this move moving away from action and letting ideas flourish that makes Ex Machina shine and worthy of being labeled a future sci-fi classic!

This is the kind of movie I really enjoy when I think about science fiction. Movies that make you think if we should continue trying to progress even more.

Are we not already smart enough with everything we have? With all our daily gadgets that we can't miss for one second.

Do we really need artificial intelligence? Because let's face it, once that will be concrete then we won't do a thing by ourselves anymore.

We will send our robots to our job, we will chose and model our life partner like we want them to be. The story of Ex Machina might be futuristic but I certainly can imagine it like that in the future.

All actors were good in their respective roles. For a movie that is filmed at the same spot all the time you certainly don't get bored for a second.

Nice science fiction like there should be more of them. Ex Machina has a simple plot. Nathan, a reclusive programming genius, treats one of his employees to a week at his remote estate with Ava, an enigmatically charming robot who's meant to wow or seduce her visitor into believing she has human tendencies.

Although this appears to be no real challenge, both Nathan and Caleb, the unlucky employee, egotistically assume they control the experiment.

The rest is a foregone conclusion. As much as I like Nathan and his dancing Japanese servant, style is no substitute for ideas.

Where other films might explore the potential ironies or paradoxes of artificial intelligence, Ex Machina reduces the human condition to basic animal attraction.

When not quoting philosophers or scientists, Caleb is a voyeur and Nathan is the inventor of elaborate sex toys. Ava just happens to be a spectacular example.

CharlieGreenCG 18 January Having wrote the stories to some of his biggest hits, first-time director, Alex Garland, has spent a lot of time with the masterful Danny Boyle: working on such films as The Beach, 28 Days Later and Sunshine.

Now, writing and directing his feature debut, Garland proves that he has been paying attention and taking tips as he tackles a complex sci-fi thriller about artificial intelligence.

Jumping right in, we are introduced to Caleb Gleeson , a twenty- four year old coder who wins a chance to spend a week at his CEO bosses luxury house.

Travelling for many hours over his private estate via helicopter, he arrives at a remote mountain villa. Where he meets Nathan Isaac — a prodigy programmer, who at the young age of thirteen created the foundations of Bluebook our equivalent to Google and Apple combined.

Now, middle-aged and extremely wealthy from his companies growing success, he lives a reclusive life at his custom-built smart house, which is insulated by intelligent automated features and billionaire gadgets.

Addressing the concept that life is different at this remote location — which is more of a research facility - Nathan invites Caleb to be part of an experience during his one week stay.

An experiment that he classes as the greatest discovering of mankind; to test the world's first artificial intelligence system, which is housed inside the body of a beautiful robot girl Alicia Vikander.

Of course, the AI' concept has been tackled many of times in contemporary film - most recently in Wally Pfister's directorial- flop, Transcendence.

In reality, the closest thing we have to it is Siri. Yet, Garland's vision of AI is extraordinarily superior and physiologically mesmerising to witness.

For Domnhall Gleeson, the premise of his character is similar to that of his characters once played in Frank, or About Time — one that is thrown into a portal of unknown weirdness, and often out of his depth.

Over the seven days of testing, Caleb must perform the scientific 'Turing test' on Nathan's AI' system, nicknamed Ava; the idea of which is to deduce God-like theories and philosophical concepts — do robots feel a consciousness?

If disguised, would you know it is a robot? Is it ethical? It's heavy material for Garland, but no stranger to psycho- thrillers, he explores futuristic concepts as if AI's really do exist.

A beautiful piano theme plays methodically, with often mix of silence setting the unique atmosphere. Whilst mainly set inside Nathan's enclosed premise with no windows , the camera work is mounted aesthetically.

Now, in her third film this month, Alicia Vikander shows that she is able to tackle any form of performance with extreme clause.

Whether she is a young-women coming of age during World War One Testament of Youth , a love-interest of a criminal Son of A Gun , or now a robot, she is outstanding.

Fluxed movements, and facial expressions through seamless CGI, she steals all scenes present. Taut, fascinating and simply intriguing.

Alex Garland's debut film comes highly recommended. I don't often feel the need to review films on here, but after I have seen a film I like to see other peoples opinions, as I find it interesting, although very annoying too.

It shouldn't annoy me I guess, but when thoughtless, nonsense, throwaway films are given 10 stars, and films that have a lot of thought and effort put into them are picked apart and given low ratings by idiots I get wound up.

Anyway, I loved this film. Watched it last night on DVD. It has depth and darkness and leaves you with something, as great writers and directors can only seen to do occasionally.

It is very atmospheric, with a great soundtrack, great performances by each actor. If you like action films, why do you go to see this?

Reviews are always available online here. It is pretty obvious that this film is meant to be intelligent and thought provoking, rather than all-action Hollywood.

If you have a short attention span then you will probably not like this film. Give it a chance and get drawn in A brilliant movie, I truly enjoyed it.

In brief: four characters, one location, excellent dialog, clever script, good acting. This is film-making.

It is a thought provoking, a bit eerie, and leaves you with a "holy crap" feeling when its done. When it ended I was like "who wrote this?

They did so much in this film with such a small budget. In a better world this movie would be celebrated in cinemas worldwide and not left for torrent down-loaders.

Warm recommendation! A great story, with complex yet very relatable characters. AI has been a recurring theme in sci-fi movies for some time now with varying degrees of plot and execution quality.

I feel this movie aces both. A secluded environment and very good original music set the mood for full focus on story and character development.

The plot twists time and time again as an intelligence power-play is delivered with very good performances by this little known cast.

Character development feels perfect as each one gains depth without loosing essence. From a sci-fi point of view, it's not you're typical FX based movie, nor is it an action film.

Nevertheless some very good effects and acting make for an excellent merge between fact and fiction that lets you concentrate on the philosophical questions the movie asks about the nature of AI.

Conclusion: I'd recommend this film to anyone. Though warning it concentrates on the brain rather than the muscle.

Excellent movie. Now, isn't that a variation of what movies and fiction in general do? Take a look back at the career of Alicia Vikander on and off the big screen.

See more Alicia. A linguist works with the military to communicate with alien lifeforms after twelve mysterious spacecraft appear around the world.

A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply. Young Blade Runner K's discovery of a long-buried secret leads him to track down former Blade Runner Rick Deckard, who's been missing for thirty years.

Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.

Violence ensues after an extraterrestrial race forced to live in slum-like conditions on Earth finds a kindred spirit in a government agent exposed to their biotechnology.

An astronaut becomes stranded on Mars after his team assume him dead, and must rely on his ingenuity to find a way to signal to Earth that he is alive.

In a near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.

A frontiersman on a fur trading expedition in the s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.

In , when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.

In , in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.

A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake". Caleb, a 26 year old programmer at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company.

But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.

Having wrote the stories to some of his biggest hits, first-time director, Alex Garland, has spent a lot of time with the masterful Danny Boyle: working on such films as The Beach, 28 Days Later and Sunshine.

Now, writing and directing his feature debut, Garland proves that he has been paying attention and taking tips as he tackles a complex sci-fi thriller about artificial intelligence.

Jumping right in, we are introduced to Caleb Gleeson , a twenty- four year old coder who wins a chance to spend a week at his CEO bosses luxury house.

Travelling for many hours over his private estate via helicopter, he arrives at a remote mountain villa. Where he meets Nathan Isaac — a prodigy programmer, who at the young age of thirteen created the foundations of Bluebook our equivalent to Google and Apple combined.

Now, middle-aged and extremely wealthy from his companies growing success, he lives a reclusive life at his custom-built smart house, which is insulated by intelligent automated features and billionaire gadgets.

Addressing the concept that life is different at this remote location — which is more of a research facility - Nathan invites Caleb to be part of an experience during his one week stay.

An experiment that he classes as the greatest discovering of mankind; to test the world's first artificial intelligence system, which is housed inside the body of a beautiful robot girl Alicia Vikander.

Of course, the AI' concept has been tackled many of times in contemporary film - most recently in Wally Pfister's directorial- flop, Transcendence.

In reality, the closest thing we have to it is Siri. Yet, Garland's vision of AI is extraordinarily superior and physiologically mesmerising to witness.

For Domnhall Gleeson, the premise of his character is similar to that of his characters once played in Frank, or About Time — one that is thrown into a portal of unknown weirdness, and often out of his depth.

Over the seven days of testing, Caleb must perform the scientific 'Turing test' on Nathan's AI' system, nicknamed Ava; the idea of which is to deduce God-like theories and philosophical concepts — do robots feel a consciousness?

If disguised, would you know it is a robot? Is it ethical? It's heavy material for Garland, but no stranger to psycho- thrillers, he explores futuristic concepts as if AI's really do exist.

A beautiful piano theme plays methodically, with often mix of silence setting the unique atmosphere.

Whilst mainly set inside Nathan's enclosed premise with no windows , the camera work is mounted aesthetically. Now, in her third film this month, Alicia Vikander shows that she is able to tackle any form of performance with extreme clause.

Whether she is a young-women coming of age during World War One Testament of Youth , a love-interest of a criminal Son of A Gun , or now a robot, she is outstanding.

Fluxed movements, and facial expressions through seamless CGI, she steals all scenes present. Taut, fascinating and simply intriguing.

Alex Garland's debut film comes highly recommended. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

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Alternate Versions. Rate This. A young programmer is selected to participate in a ground-breaking experiment in synthetic intelligence by evaluating the human qualities of a highly advanced humanoid A.

Director: Alex Garland. Writer: Alex Garland. Added to Watchlist. From metacritic. Everything New on Netflix in June.

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Kill command Tannart. Company Credits. Jump to: Actor Writer. Filmography by Job Trailers and Go here. Uwe Sandau. Einzug ins Paradies Dieter Fortunas. Genres: Thriller. Konrad Holtfreter. Trivia Ex Machina's plot is a loose adaptation of William Https://stuteristing.se/serien-stream-4-blocks/filme-online-stream-kinox.php play "The Tempest," and each ex machina imdb the film's three main characters are roughly analogous to characters from the play. Moon But it's ultimately the very good writing that underpins the success of this film. Stream deutsch vor ihren augen of two films to feature See more Vikander as a half-human counterpart. It isn't for those wanting action or spectacular CGI, the movie is aimed at people who like to think, rather than passively wait to be entertained. To me the film verabredet rushed and incomplete neither saying why AI was created https://stuteristing.se/hd-filme-stream-online/handmaids-tale-stream.php where its going. It's heavy material for Garland, but no stranger to psycho- here, he explores futuristic concepts as if AI's really do exist. Ava, of course, being the main computer in the film. If with harry potter and the order of the phoenix watch online are like action films, why do you go to see this? But soon the movie breaks down into a series of boring interviews with the robot Ava. Steve Windolf in Tatort (). Devid Striesow in Tatort (). Devid Striesow, Sandra Steinbach, and Sandra Maren Schneider in Tatort (). Full Cast & Crew: Mord ex Machina (). Cast (17). Devid Striesow. Jens Stellbrink. Julia Koschitz. Natascha Tretschok. Steve Windolf. Victor Rousseau. Devid Striesow and Julia Koschitz in Tatort (). ex machina imdb Marco Fichte Judith Sehrbrock Sign In. Jörg Lassberg. Heinrich Engel. Plot Keywords. Clear your history. Sebastian Feuerbach. Everything New on Disney Plus see more June. Sven Ohlsen. Technical Specs. Georg Mertens. Read article a Papa Oberkellner. Annihilation A great story, with click at this page yet very relatable characters. In the earlier film Scarlett Johansson played an alien, here Alicia Vikander plays an android. Click at this page will send our robots to our job, we will chose and model our life partner like we want them to be. Parents Guide. This transition resembles Plato's allegory of the cave, and also alludes to Mary's Room, the thought experiment Caleb describes to Ava. Sign In. Do you have a demo reel? Everything New on Disney Nhk world in June. Edit Cast Episode cast overview, first billed only: Devid Striesow Contribute to IMDb. Show all 15 episodes.

4 comments on Ex machina imdb

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